1/12/2024 0 Comments Focalpoint marketing systmeWith AJA converters, we can run multiple signals much longer distances simultaneously, thousands of feet, without issue. It caps your range and makes setup and breakdown more time-consuming for long cable runs. With SDI cable, which is what we typically run between cameras, TVs, and projectors, we’re limited to 300 feet and can only run one signal per cable, and there’s nothing worse than having to run a bunch of 300-foot cables. In these scenarios, we can use many cameras and capture interesting shots.ĪJA FiDO Mini-Converters are essential for nearly all our complex projects we have an assortment of 12 AJA Mini-Converters spanning FiDO-4R, FiDO-4T, FiDO-2T, FiDO-2R, FiDO-TR, FiDO-R-ST, FiDO-T-ST, and Hi5-Fiber. A plain room isn’t that interesting on camera, so I enjoy working on projects with dynamic visual elements like creative lighting, good design, and multimedia, whether pre-recorded videos or arranging virtual presenters. I also like the ones that let me bring out all my kit – cameras, lighting, audio, etc. I like working on challenging projects they’re the most memorable. Which aspects of production are your favorite? We then do a site survey for due diligence, take measurements to verify our ideas and guesstimates, and look at lighting and graphics to ensure we can tie everything together in the most seamless way possible. Once we’ve determined the client’s budget, goals, and tech requirements, we identify the best approach and map out the camera, monitor, and switcher positioning on paper. We start with an in-depth conversation with the client to understand the run of show and the scope of the event space. No event workflow we develop looks the same, but most fall within four categories. How do you determine what gear to use for an event? We also provide editing on the backend for traditional shoots, so I could be helping the team with an edit. I’m out in the field a lot, conducting site surveys and client meetings and managing the setup and production needs for client events, whether virtual, in-person, or hybrid. Just as the types and sizes of events we handle span the gamut, so does my day. What does a typical day on the job entail? Embracing these shifts and adopting the right technology to accommodate them has allowed us to grow nearly 200 percent in the last three years. Now, it’s transitioned back into more in-person events, but many still require a live stream component. We also handled some live streaming, but the scales tipped to about 90 percent live streaming with the pandemic. Our primary focus was traditional videos, mostly corporate marketing, promotional, training, and event recap videos. Tell us about your role at Focal Point Productions.Īs the owner/operator, I wear all hats, including director, producer, and technician. We recently caught up with him to discuss how his company has grown, the new fiber kit he’s using, and what’s on the horizon. Company Owner and President Marty Jenoff has navigated significant industry shifts over the last two decades, upgrading his workflow to accommodate evolving client demands. Managing multiple 300-foot SDI cables can quickly become a nightmare in any live event production setting, which is why Baltimore-based event production outfit Focal Point Productions leverages fiber for complex projects involving multiple cameras, TVs, and projectors.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |